Portrait Photography with a Little Sorcery.

Yesterday I drug one of my good friends, Jessica out to do a little experimenting. I wanted to try out a new technique for my portrait photography and play around with the images in photoshop. Well, she was game so it was on. After about 30 mins, I decided that the "new" technique was not for me and went right back to what I know. I guess you can teach on old dog new tricks, but only if he wants to learn. I enjoy manipulating the light, Jessica calls it "sorcery". In the above image, the sun is actually on Jessica's right side, yet it looks it's coming from her left. I accomplished this by putting a remote triggered SB600 with an orange gel over her left shoulder.  I am however making a real effort to shoot more natural light, and three of these images were taken with no flash. 

This is a natural light image taken under a bridge. Her face has an interesting shadow on her left because the sun is bouncing off the ground onto the right side of her face. The diagonal lines made by the bridge structure also make this photograph more interesting. (Photo Tip)

I love this image. It's another natural light image. She looks kinda "sassy". She has a small amount of shadow on her left side again, but this time it's coming from the sun reflecting off a condo across the street.

Who doesn't like a giant concrete ball? Sunlight sorcery again thanks to a gel'd flash.

and again

Last shot from under the bridge is another natural light image. The result is a beautiful soft light.

My Favorite Swimsuit Images and Why

 When I woke up this morning, I had a blog topic in mind, my favorite swimsuit image and I was gonna tell you why I liked it. Well, I been lucky enough to photograph some of the most beautiful models in Central Florida on the beach. As a photographer for Swimsuit Illustrated Magazine, I've probably shot more swimsuit than anything else and I couldn't narrow it down to just one. These two images stand out in my mind above all others and here's why. 

 In this image, I was supposed to meet Katherine for a surfing photography session. I love shooting surfing. As it worked out, there was hardly any surf and it just wasn't gonna happen. To not waste a trip for either of us, I asked her if she would like to shoot some under the Cocoa Beach Pier. The pier shaded us from the harsh sun on the beach and provided me the ability to be more creative. I placed a Nikon SB800 flash with a full CTO gell on it behind a shoot through umbrella camera right and there you have it. The CTO gell gave Katherine a warm look on her brown skin and my aperture setting or f4.5 made everything but her upper body go slightly out of focus giving the image depth.

This image required a lot more thought and a lot more flash. I scouted this location the day before and I made note of what time the sun would be right where I wanted it.  The next day, I had Krista Jean, the model, arrive 30 minutes early,and positioned her on the rocks. A small speedlight would not do the job here so I brought along my AlienBees B800 and a beauty dish. I like the beauty dish on the beach for two reasons, it doesn't catch much wind, one sand bag is usually all that's needed to keep it from tipping over. Also I don't loose much flash power when using it. When you shoot into the rising sun, you need all the flash power you can get. Here my aperture is set at f18 and everything is in sharp focus. You can even see two shrimp boats on the horizon. 

Summer time is coming. If you would like some swimsuit images like these, drop me a line. 

How'd I do That?

 I took this photograph of Cassy Cameron about 90 minutes before Sunset.  It was submitted to, and published by Swimsuit Illustrated Magazine. So what made this image stand out to the editor?  See the sun peeking over the sea oats? Normally, Cassy would be a dark silhouette in this image. I could have exposed the image for a blue sky. My exposure  probably would have been around 1/200 sec. f/16 at ISO 200. I probably would have set my AlienBees B800 at about 1/4 power and it would have looked pretty good. I didn't want it to look pretty good. I wanted it to look DRAMATIC. I wanted the editor to look at it and say "Dang, that looks different." So how did I do it? I set my aperture to f/22 and my shutter speed to 1/250 sec. That made the beautiful afternoon sky go pretty dark. Now I had to pump a lot of power out of my AlienBees B800 flash to expose her properly, but that was OK, I knew it would do it shooting through a Beauty Dish. It wouldn't do it through an umbrella. I digress, but I know this because I set my flash up in my living room one rainy day and metered what it would do from a distance of six feet, shooting through each of my light modifiers. Now I don't have to waste time on location figuring out what my equipment will do. Anyhow, that's how I did it, and the important thing is it made the cut and it got published. If you don't understand all these terms and fractions, that's OK, I didn't at first either. I am completely self taught and I did it by reading, watching tutorials on You Tube and experimenting. Here are a couple more images from that shoot for your viewing pleasure. They made the cut too and were published. The one with her laying on the sand with the bird in the water was taken using the exact same technique. Enjoy!